Edited Reading Schedule for The Big Sleep & Little Scarlet—Please Keep Up With the Reading.

The Big Sleep & Little Scarlet Reading Schedule

Unknown-1.jpeg

The Big Sleep by Raymond Chandler
Already completed:
Chapters 1-17 (Pages 1-103)

Due:
Tuesday 1/28: Chapters 18-21 (Pages 104-134)
Thursday 1/30: Chapters 22-23 (Pages 135-153)
Friday 1/31: Chapters 24-25 (Pages 153-169)

Monday 2/03: Chapters 26-29 (Pages 169-203)
Tuesday 2/04: Chapter 30-31 (Pages 203-220)
Tuesday 2/04: Chapter 32 (Pages 221-231) Final chapter to be read in class together—End of Novel!

9780446198240-us.jpg

Little Scarlet by Walter Mosley
Already completed:
Chapters 1-13 (Pages 1-88)

Due:
Thursday 1/30: Chapters 14-19 (Pages 89-128)
Friday 1/31: Chapters 20-22 (Pages 129-151)

Monday 2/03: Chapters 23-26 (Pages 152-176)
Tuesday 2/04: Chapters 27-30 (Pages 177-197)
Thursday 2/06: Chapters 31-37 (Pages 198-240)
Friday 2/07: Chapters 38-41 (Pages 241-267)

Monday 2/10: Chapters 42-47 (Pages 268-304)
Tuesday 2/11: Chapters 48-51 (Pages 305-325) Completion of Novel!

CA/LA Art Analysis Due: Tuesday, 1/28/20

California Art Analysis: Due Tuesday, January 28th, 2020

California Art Analysis

This assignment will demand that you spend some time perusing California art, that is visual pieces that somehow capture some element of the California experience. This may include California’s imaginative, geographical, or human landscape. Visiting a museum is ideal, partly because it becomes a fuller art experience, but for this three-paragraph assignment, you may access the piece of art you decide to write on via online resources. And even if you’re only able to peruse art by visiting museum websites, you are likely to still enjoy the various examples of art.  So, here’s the assignment. You are only working with one painting (for this assignment, your subject must be a painting versus sculptures, film, etc.; however, in the spring, during our visit to LACMA, you will have the opportunity to work with other types of art).  The following parts should be fully developed and your final copy should be revised and edited prior to turning it in on Monday, January 27th.

Part 1: (Introduction paragraph) Please answer the following question for your introduction paragraph: “What does art provide for us as individuals and for us as a whole society, particularly as residents of a unique state like California?” Make sure to have some form of thesis that mentions the name of the painting you’ve chosen to work with, the date of its completion (if available), and of course the artist’s name.

Part 2: (Analytical body paragraph) You will write one college-level body paragraph for this part of your response.  The first sentence for this paragraph should once again include the name of the painting, the artist’s name, and where you accessed the art piece.  For this body paragraph, you need to include three different elements. First, you need to discuss the objective aspects of the painting.  The objective parts are the facts of the painting that can be identified through the naked eye.  This includes the subject(s) of the painting, the colors used, the simple artistic techniques used, the type of paint(s), and the various mediums used. The second element in the body paragraph is the interpretive part.  This part includes your interpretation of the art piece.  Is it a painting that reflects a particular theme, idea, issue, part of history, or people?  What is the possible message being conveyed by the painting? Finally, the third element is the subjective part.  This requires you to discuss how the painting affects you on a personal level.  Does it create a certain emotion for you? Does it remind you of something in your past?  Does it create a new idea or perspective on life for you? Remember, you need to include all three elements for this analytical body paragraph—yes, if done properly, it will be a full, collegiate-like paragraph reaching close to a page or so.

Part 3: (Conclusion paragraph) Considering the changing dynamics of the Golden State, please write a reflection on what art needs to capture in terms of the current California zeitgeist (spirit of the time). You should also take into account how the painting of your choice fits into the California imaginative, historical, social, or cultural landscape.

http://www.pacificstandardtime.org

http://www.lacma.org

http://getty.edu/museum/

https://theautry.org

https://www.nortonsimon.org

https://www.sfmoma.org

https://www.moca.org/exhibitions

https://www.sbma.net

https://archive.org/details/madeincaliforn00barr_/page/292

Below are just a few pieces that I find remarkable:

“Bridges” by James (Jim) Doolan—for more info on this former UCLA instructor: https://www.huffingtonpost.com/john-seed/james-doolin_b_1653826.html

“Splash” by David Hockney—for more information on this L.A. transplant: https://www.metmuseum.org/metmedia/video/collections/modern/david-hockney-preview

“No Splash” by Ramiro Gomez—for more information on this local boy: https://www.theguardian.com/artanddesign/2017/aug/22/ramiro-gomez-latin-american-art-los-angeles-david-hockney

“A Particular Kind of Heaven” by Ed Ruscha—for more information on this L.A. cool dude who did a whole series on Kerouac’s On The Roadhttp://edruscha.com/featured-works/

“California Grapeskins” by Ed Ruscha—for more images based on Jack Kerouac’s On The Road: https://hammer.ucla.edu/exhibitions/2011/ed-ruscha-on-the-road/#gallery_fffe527bf7a14fde5ee09985fff85356269dba3b

And, Ed Ruscha hanging out with Anthony Kiedis (Red Hot Chili Peppers)—for a cool conversation on words as art, check out this video: https://www.youtube.com/watch?v=W693tnEJ4k0 

 

 

Under The Feet of Jesus / The Grapes of Wrath Essay (Due: Friday, December 6th @ 11:30 AM)

California Literature (Barraza)

Fall 2019-2020

Under The Feet of Jesus / The Grapes of Wrath (Play Version)

Final Essay Questions (Choose One): Due Friday, December 6th.

Basic Directions: Strong, defensible thesis that is clear and well-constructed; 3-5 pages double-spaced adhering to MLA guidelines. Essay must be balanced: voice; textual evidence [via direct quotes]; and strong analytical commentary. Your line of reasoning should be intentional and clear to the reader. Stay away from circular reasoning and take analytical risks that stem from your close reading of the text. You may write about one text or both; however, should you incorporate both texts, your thesis should account for both, and cogency and full analytical development is vital to the success of your paper.

 Essay Topics to Consider: 

  1. Estrella is pulled in conflicting directions by at least two compelling desires, ambitions, obligations, or influences. In a well-developed essay, identify two conflicting forces and explain how this conflict illuminates the meaning of the work as a whole.
  2. The following quote is from John Steinbeck’s The Log from The Sea of Cortez: “And it is a strange thing that most of the feelings we call religious, most of the mystical outcrying which is one of the most prized and used and desired reactions of our species, is really the understanding and the attempt to say that man is related to the whole thing, known and unknowable.” Consider Jim Casy’s attempt to explain to Tom what exactly it means to be a part of a greater whole, not just in terms of spiritual renewal, but also activism, and human solidarity. For Jim Casy, the universe has meaning, even when the God of his faith seems absent or at a great distance. In what ways is Tom Joad influenced by these ideas?
  3. Novels often depict characters caught between colliding cultures—national, regional, ethnic, religious, institutional. Such collisions can call a character’s sense of identity into question. Consider the cultural collisions in Helena Maria Viramontes’ Under The Feet of Jesus. Then, write a well-organized essay in which you describe the character’s (or characters’) response to these collisions and explain the relevance to the work as a whole.
  4. In many works of literature, past events can affect, positively or negatively, the present actions, attitudes, or values of a character. Consider how characters in Under The Feet of Jesus  and/or The Grapes of Wrath must contend with some aspect of the past, either personal or societal. Then, write an essay in which you show how the character’s (or characters’) relationship to the past contributes to the meaning of the work as a whole.
  5. In some works of literature, childhood and adolescence are portrayed as times graced by innocence and a sense of wonder; in other works, they are depicted as times of tribulation and terror. Focusing on your close reading of Under The Feet of Jesus, explain how its representation of childhood or adolescence shapes the meaning of the work as a whole.
  6. A bildungsroman, or coming-of-age novel, recounts the psychological or moral development of its protagonist from youth to maturity, when this character recognizes his or her place in the world. Consider key moments in the psychological or moral development of the protagonist in Under the Feet of Jesus. Then write a well-organized essay that analyzes how these key moments shape the meaning of the work as a whole.
  7. A symbol is an object, action, or event that represents something or that creates a range of associations beyond itself. In literary works a symbol can express an idea, clarify meaning, or enlarge literal meaning. Focusing on your close reading of Under the Feet of Jesus and/or The Grapes of Wrath, and focusing on at least three symbols, write an essay analyzing how these symbols function in the work(s) and what they reveal about the characters or themes of the work(s) as a whole. Do not merely summarize the plot.
  8. An effective literary work does not merely stop or cease; it concludes. In the view of some critics, a work that does not provide the pleasure of significant closure has terminated with an artistic fault. A satisfactory ending is not, however, always conclusive in every sense; significant closure may require the reader to abide with or adjust to ambiguity and uncertainty. In an essay, discuss the ending of Under the Feet of Jesus and/or The Grapes of Wrath. Explain precisely how and why the ending(s) appropriately or inappropriately conclude(s) the work(s). Do not merely summarize the plot.
  9. In many works of literature, a physical journey – the literal movement from one place to another – plays a central role. In Under the Feet of Jesus and The Grapes of Wrath a physical journey is an important element. Discuss how the journey adds to the meaning of the work(s) as a whole. Avoid mere plot summary.
  10. Palestinian American literary theorist and cultural critic Edward Said has written that “Exile is strangely compelling to think about but terrible to experience. It is the unhealable rift forced between a human being and a native place, between the self and its true home: its essential sadness can never be surmounted.” Yet Said has also said that exile can become “a potent, even enriching” experience. Choose a character or characters from Under the Feet of Jesus and/or The Grapes of Wrath that experience(s) such a rift and become(s) cut off from “home,” whether that home is the character’s birthplace, family, homeland, or other special place. Then write an essay in which you analyze how the character’s or characters’ experience(s) with exile is both alienating and enriching, and how this experience illuminates the meaning of the work as a whole.

Due Date: Friday, December 6th @ 11:30AM

Papers must be 3-5 pages in length, utilizing the proper MLA guidelines.

 

Final Cannery Row Essay (Due Monday, October 28th)

Steinbeck Studies: Cannery Row

(California Literature)

Instructor: P. Barraza

Fall 2019-2020

Culminating Writing Assignment

Cannery Row Culminating Essay Choices

200 Points: No rewrites for this paper will be allowed. However, you are encouraged to see me during office hours and during Flex Time in order to discuss the development of your paper. Please note that you will be given two class periods during the week of October 21-25 to work on this essay.

Choose one of the following prompts as your final response to John Steinbeck’s Cannery Row. The essay will be due at the start of class on Monday, October 28th. Your essay should result in a 3-5-page paper utilizing textual evidence in line with proper MLA format. Please do not submit a paper that results in simple summary. Your task is to make some critical argument via textual evidence and sophisticated reasoning.

2019-2020 Cannery Row Essay Choices:

  1. John Steinbeck and his friend Ed Ricketts were profoundly influenced by eastern philosophies(ers), and these principals are embedded in many of his works. In Cannery Row, however, they seem to be, in many ways, the very essence of this world. Not only will you attempt to become more of an expert on one or more of these philosophies (ers), your task will also be to explain and analyze the philosophical perspective that applies to the novel. Make sure to use specific examples textual evidence.

Philosophies (ers):   Laozie (Lao Tze)

                                    Carl Jung

                                    Siddartha Guatama

                                    Taoism

                                    Confucianism

                                    Tibetan Buddhism

                                    Zen Buddhism

  1. From The Outer Shores, Part One edited by Joel Hedgpeth. Publisher: Mad River Press, 1978 (out of print):

Here is an excerpt of Ed Ricketts’ writing from 1940:

“Who would see a replica of man’s social structure has o­­nly to examine the abundant and various life of the tide pools, where miniature communal societies wage dubious battle against equally potent societies in which the individual is paramount, with trends shifting, maturing, or dying out, with all the living organisms balanced against the limitations of the dead kingdom of rocks and currents and temperatures of dissolved gases. A study of animal communities has this advantage: they are merely what they are, for anyone to see who will and can look clearly; they cannot complicate the picture by worded idealisms, by saying one thing and being another; here the struggle is unmasked and the beauty is unmasked.”

Consider what this might mean when analyzing Cannery Row. For this essay, you are to connect ideas that are being conveyed in this quote to the larger analysis of characters, scenes, and resolutions found in Steinbeck’s novel. Consider ideas of “worded idealism,” “individual is paramount,” or anything that sticks out at you from this Ed Ricketts quote.

  1. Cannery Row itself represents the “edge of the west,” a place where all roads dead-end into the Pacific Ocean. Each character in Cannery Row illustrates those who live along these margins. What characters has Steinbeck introduced that fit into this marginalization? What is he saying about society and its inhabitants through these characters? How does his perspective differ from a “typical” point of view? (Discuss at three or more characters)
  2. Which characters, if any, serve as registers of emotional and moral value? In whom do we find love, honor, loyalty, strength?
  3. While it has been clear to you that John Steinbeck is a regional writer, often with California as a literary landscape, consider the ways in which he is a universal writer that lead readers to accept the inescapable truths of the human condition. Below are a few essential ideas to consider:

(A) For example, consider the non-teleological approaches to life conveyed in Cannery Row, this being the opposition to “teleological” or moral approaches to life. Through Doc’s character we learn that non-teleological thinking equates to being concerned more with what actually is versus what should be, could be, or might be.

(B) Steinbeck also felt that the modern world was a world of loss—of heroes, gods, and authority. This leads us to consider the codes that people live by in Cannery Row.

(C) On a more simple level, consider the more basic observations that Steinbeck illuminates in his literature, such as the celebration of friendships, the marginalization of people, or the deconstructing of Edenic possibilities (dreams and realities).

After choosing one or a combination of the guiding considerations (A, B, or C), produce a clear and well-constructed response that discusses how Steinbeck is a universal writer. You must refer to the text, using direct quotes when appropriate. Also, please keep in mind that your audience is very familiar with this work; thus, your goal is to convey your critical thinking versus simply summarizing the texts in an elegant fashion. Your response should have a controlling idea, textual references to support your assertion(s), and a strong sense of your own voice.

  1. Write an essay in which you identify some of the intricate patterns of the novel, and then analyze their effects on the novel as a whole.
  2. In what way is the novel structured in a musical, compositional, or symphonic way? Should you choose to answer this question, please note that the novel must be the root and the river of the paper, meaning that the text should drive the analytical conversation, regardless of the music-related sources you might choose to utilize.
  3. In her introduction to Cannery Row, Susan Shillinglaw writes:

“As ecologists, both Ricketts and Steinbeck thus rejected a man-centered universe and stressed the interconnectedness of humans with nature, of humans with others “ (xii).

Based on Shillinglaw’s statement, in what ways is Cannery Row an ecological text?

  1. Analytical Playlist (as discussed and modeled in class). Basic requirements:
  • Introduction (with clear and well-constructed thesis)
  • At least four songs=four body paragraphs that will analytically connect with textual evidence in the novel
  • Reflective conclusion (not a “recap” of what you accomplished in the essay, but rather continuing thoughts, contemporary connections, or unanswered questions)
  1. As an opportunity to validate your own reading and critical engagement of this novel, consider the findings or contemporary connections you’ve been able to make. Write an argumentative essay that derives from your own critical attention to a particular aspect (or aspects) of the novel.

A Final Note:  Papers must move beyond simple summary. The key to your success with this paper is having a clear purpose in your argument. Remember, content and form matter; thus, your paper should be organized, cogent, analytically developed, balanced, full, and clean in terms of mechanics and syntax. Please note that any papers plagiarizing external sources will result in a 0 grade. 

 

 

 

 

Continuing With The Pastures of Heaven: Reading Schedule For Week of September 9th-13th

Unknown-4.jpeg

Dear Cal Lit Students,

To recap, we discussed Chapter 8 on Friday, September 6th. Remember, it is crucial to your reading of The Pastures of Heaven that you continue to prepare questions for our discussions.  Thank you for the investment you’ve shown as a class in these first few weeks of the semester.

Due on:

Monday, September 9th: Chapter 9

Tuesday, September 10th: Chapter 10; SHORT TEST ON CHAPTERS 1-10

Wednesday, September 11th: (No class due to Flex Schedule: Periods 2/4/6

Thursday, September 12th: Chapter 11 (Quiz on Ch. 11) 

Friday, September 13th: Chapter 12 (END OF BOOK!); Culminating essay topics assigned.

images-8.jpegUnknown-3.jpeg

 

 

The Pasture of Heaven Reading For Thursday, September 5th, and Friday, September 6th.

Dear California Literature Students,

I’m pleased that you are enjoying Steinbeck’s first California text, as well as The King of California. Clearly, both stories are rooted in the illusion, myth, and disillusion of an Edenic place and its promises.

We will begin our class on Thursday with a group discussion based on the reading of Chapter 6, the story of Junius Maltby. For the rest of the week, please have Chapter 7 read by Thursday and Chapter 8 read by Friday. 

With Appreciation,

Barraza

Montalvo, Myths, and Dreams of Home AND The Pastures of Heaven

Dear Cal Lit Students, 

It’s been a pleasure starting the year with all of you. For this evening’s reading, please complete Chapter 3 from The Pastures of Heaven. 

Tomorrow in class (Tuesday, August 27th), you will begin by reading Thomas Steinbeck’s essay, “Montalvo, Myths, and Dreams of Home.” The essay is from a collection of essays called My California. After completing Thomas Steinbeck’s essay, you will write a 1-2 page piece on your own California (please use a pen, and give your piece a title); your pieces should be rooted in a personal connection to some place or aspect of the state. Please make every effort to make your writing interesting via a confident voice and carefully chosen details. Should you have any time left over, please begin the reading that is due on Thursday: Chapters 4 & 5 (pages 41-72)

Final Few Pieces For This Year

On Wednesday of this week, please bring:

  1. A revised/edited hard copy of “Dear California”
  2. California art expression piece w/ 1-page rationale
  3. Food for our CA Cultural Potluck

Remember, book talks need to be done by Friday at the latest (if you want or need the points)!

On The Road Reading Schedule For Monday, May 13th—Monday, May 20th. Please Keep Up With The Reading.

images-2.jpeg

Due on:

Wednesday, May 15th: Ch. 10 (pages 239-248) [Completion of Part Three] 

Thursday, May 16th: [Part Four] Ch. 1-3 (pages 249-267) 

Friday, May 17th: Ch. 4-5 (pages 268-291)

———————————————————————————————————————————

Monday, May 20th: Ch. 6 (pages 292-302) [Completion of Part Four]  & [Part Five] pages 303-307) [Completion of Novel]

images-4.jpegimages-3.jpeg